If you are within cooee of Nambour on Sunday June 18 what better way to spend an afternoon that a concert with celebrated songwriter Fred Smith and a reunion with The Goodwills.
Fred will be launching his new CD ‘Look,” a departure from his material about Afghanistan. Fred says it is about “the ordinary stuff of our lives and the world we live in: the speed of modern life, love, isolation, and the internet in a world that seems to be lurching forward by a rolling series of crisis.”
The Goodwills Trio are the support act for this concert at Nambour’s Black Box Theatre. Bob and Laurel and fiddle player Helen Rowe will present some of Bob’s songs arranged for three-part harmony. Maleny people will remember our long-running series of house concerts at Maleny. Fred performed there three times before his popularity necessitated a move to the RSL!
Sunday Folk organiser Karen Law tells us bookings are being made even at this early stage. A booking link is included below.
Sunday Folk is at the Black Box Theatre, 80 Howard Street, Nambour. Tickets are $25/$23 and children under 18 – $18.
Never too early for a date claimer (so you can plan your busy lives). We’ve been asked to open for Fred Smith when he revisits Nambour’s Sunday Folk on June 18. Fred has performed at house concerts held when we lived in Maleny and we keep bumping into him (Tasmania, WA, Woodford). See details of this gig at the end of this report on our recent gigs.
March was a busy month for a pair of septuagenarians. On March 19 we performed at Folk Redlands with our third member Helen Rowe. The following weekend (March 26) Laurel and I were part of the afternoon’s entertainment for a refugee fundraiser in Warwick. The occasion was National Harmony Week and the cause to raise money to help settle a refugee family in Warwick.
Eighty people attended and we raised $1353 on the day for the Southern Downs Welcome Circle, which is sponsoring a refugee family who move to Warwick in May.
We opened the show with a half-hour set followed by East Street Singers who sang contemporary music, a break from the Gilbert & Sullivan pieces we are learning at the moment. Laurel and I are both in the choir so much changing of hats went on through the afternoon. Penny Davies and Roger Ilott closed the concert with some lovely soft, melodic songs which they encouraged people to sing along with.
Penny was also MC on the day (talk about wearing too many hats) and Roger thankfully took over managing our Yamaha PA which we needed in St Mark’s Anglican Hall.
Then on Friday March 31 we were part of the entertainment at a U3A Warwick end of term social. The venue was a contemporary history museum, The Kompound, noted for its dedication to the humble Kombi wagon.
Other entertainment on the night included a Scottish Country Dancing demonstration, the U3A line dancers and a Djembe drumming group.
Our next formal gig is supporting Fred Smith for a concert at Nambour’s Folk on Sunday on June 18, 2023. The venue is Nambour’s old ambulance station (now the Black Box Theatre). If you’ve not heard Fred Smith before, it would be worth the effort to (a) look him up https://fredsmith.com.au/ and (b) come along.
Victoria Point Bowls Club, 3 Poinciana Avenue, 1pm.
The Goodwills Trio (Bob & Laurel Wilson and Helen Rowe) have been performing at clubs and festivals for the past six years. Bob & Laurel have been performing together since the late 1970s, so have a large repertoire including songs Bob has written. Bob’s songs have been featured on the ABC radio show, Australia all Over. Three songs, Big Country Town, Courting the Net and If It Doesn’t Rain Soon, Mate, have been included on Ian McNamara’s compilation albums.
In 2022 Bob won the Alistair Hulett Songs for Social Justice award with his song When Whitlam Took his Turn at the Wheel. Subsequently, The Goodwills released an eight-track EP containing five new songs and live versions of three older songs. They have released six CDs since 1998. although two of the older albums are out of print.
Bob and Laurel live in Warwick now, so the logistics for rehearsing with Helen means she gets to spend time in the country. Helen adds vocal harmonies, whistle and fiddle and occasionally sings her own songs.
The usual format for Folk Redlands is blackboard artists first, who each perform two or three songs, a break and then the guest act from 3pm to 4pm. Bar and snacks are available.
Here’s big thanks to people who ordered songs or albums from Bandcamp, our preferred download service and to those who paid extra. Despite writing an internet satire song in 1999, we have been slow to adapt to changing tastes in music delivery. The insight came when my nephew texted me a few years back to say: “Can’t find you on Spotify, Uncle’.
Tedious though it may have been, I have updated our website to more accurately reflect the digital age of music. We dispensed with our ecommerce shop and instead now present you with two alternatives.
There is a page called Goodwills Online that shows at a glance how many of our albums/songs are available for download or streaming. There are links to Bandcamp (our preferred music download service) and Spotify, which seems to be a necessary part of the whole.
For the old-school (people who still have CD players in their cars) Goodwills CD Shop will show you what’s available, prices and instructions on how to order physical CDs. As we still have a stock of Australia Post CD boxes and now get pensioner stamps, we can send an album to you for $2 postage. We should charge $3 but we still have stock under the bed and would prefer one day to be able to vacuum under there!
We’ve been a bit better at producing YouTube videos although we have not done one for a while. Our most popular videos, Get the Kids off Nauru and Rangitiki have almost 2000 views between them.
A video cover of Bob’s song Courting the Net by Brisbane folkie Mary Brettell has had 1,687 views. . See if you can knock her over the 2000 line.
In 2020 we produced a series of lockdown videos where we would sit among the plants and garden beds and sing one of my songs or a cover. We should probably do an ‘after-Covid’ series, should that day ever come. Feral Cat Blues
We’re making a rare trip down from the mountains to perform at the Brisbane Unplugged Gigs weekly event at New Farm Bowls Club on May 24. We’ll be performing as a trio with Helen Rowe on fiddle and vocal harmonies. We are the first of the booked acts, performing at 8.15pm, followed by The Argonauts.
This popular weekly event always kicks off at 7.30pm with musicians who put their names on the blackboard, so you just never know who will be there.
We’ll take a run through some of our better-known material and a few songs written in the two years since we moved to Warwick. As you may have heard, Bob’s song ‘When Whitlam Took His Turn at the Wheel’ is this year’s winner of the Alistair Hulett Songs for Social Justice award.
This means you will get to hear it live and, depending on the election result, sing along with the chorus (or not). Bob notes with some satisfaction that his most recent royalty cheque indicates that our original songs are still being played on the radio, somewhere.
New Farm Bowls Club is at 969 Brunswick Street opposite New Farm Park. Admission is $10, the venue is licensed and there is a raffle.
Bob Wilson’s song, When Whitlam took his turn at the wheel, is the 2022 recipient of the Alistair Hulett Songs for Social Justice Award.
The award was presented at the closing concert at the National Folk Festival in Canberra on Easter Monday. Bob was unable to attend so deputised Ross Clark to accept the award on his behalf. The concert was live streamed to a large audience to raise money for the UNHCR in Ukraine.
We affectionately refer to the song as “Whitlam”, a summary of the many social policies and new laws enacted by Gough Whitlam in the first months of his election on December 2, 1972.
Whitlam introduced free healthcare and free tertiary education, abolished conscription and took the last of our troops out of Vietnam. Whitlam introduced a new Family Law act; no fault divorce and an associated single parent’s pension which made it possible for people to leave bad marriages. He abolished capital punishment, started drafting land rights for indigenous Australians and, as the song says, was the first PM to lavish money on the arts.
Bob wrote the song late last year after realising there is a whole generation in Australia who probably take these social initiatives for granted.
The Alistair Hulett award is now in its 12th year. It was started in 2011 after the Scots-born Australian songwriter died in 2010. A fund was established to perpetuate an annual event where songwriters could submit works which fit the theme of social justice. Previous recipients include two other Queenslanders – Paddy McHugh (2015) and Karen Law (2020 in a dead-heat with Newcastle songwriter John Sutton).
The song was recorded at Restless Music studios in Stanthorpe by Roger Ilott. Musicians on the track include Roger (banjo and mandolin) his brother Tony (bass), Laurel Wilson (vocals), Bob Wilson (guitar and vocals) and Mal Webb (brass).
As per the terms of the ‘grant’ which comes with the award, Bob is planning a limited release CD by The Goodwills which will contain “Whitlam” and some of our more recent songs. The award brief is to ‘disseminate the song” so you may well see sponsored Facebook posts and other promotions in the following months.
If you happen to be at Brisbane’s acoustic music venue, The Bug, on May 24 (New Farm Bowls Club), we’ll sing the song for you.
Here’s an anti-war anthem I wrote in 1979-1980 when Russia invaded
Afghanistan. Then as now, people were terrified it would lead to nuclear war. Instead it led to a futile, nine-year battle between the State of Afghanistan and Russia against the guerrilla group Mujahideen.
The song won an award and I was invited to Longford in Tasmania to
sing it at a folk festival. The lyrics and sheet music were published in a
long-defunct magazine called Stringybark and Greenhide. Anyway, this
is the only known recording of the song, from the live album, Little Deeds (1998), which is no longer in circulation.
As I said in the intro, this song is so old it refers to the Holden
Kingswood as the family car. I always meant to update it, add a contemporary verse or two but it never quite gelled.
I’m chuffed that Eric Bogle has seen fit to keep the theme going in 2022 with his song, The Armageddon Waltz, from the new album, The Source of Light.
It’s a lament for all the things we have lost and are yet to lose to climate change. And as is the Bogle way of never obscuring the message, the refrain is “it’s the Armageddon Waltz, folks, and were all going to die.”
Good one, Eric.
The question Bob gets asked most about this song is – “Is there a book called The Theory of Control”? The title track from our most recent studio album was included on the compilation CD, Pick of the Crop 8, produced by the national folk music publication, TradandNow.
Featuring the exquisite fiddle playing of Silas Palmer.
We chose November 11 (Remembrance Day), to launch a new song about the achievements (and setbacks) of Gough Whitlam, our most controversial politician. The 11th marks the 46th anniversary of The Dismissal, when the Queen’s representative, John Kerr, sacked Whitlam and installed a caretaker government under Malcolm Fraser. The dramatic events of 1975 greatly overshadowed the many reforms Gough Whitlam introduced, including free education, free healthcare, no-fault divorce, a single parent’s pension and legal aid. He also ditched conscription and capital punishment and finalised the end of our involvement in the Vietnam War. And, as the photo indicates, he was the first Australian PM to visit China. Many people our age reflect on the Whitlam years as the only time in their adult lives they actually wanted to vote for someone. Unlike most politicians, Whitlam stated clearly what he wanted to do, won the election and then set out to do it all, and then more.
He abolished conscription and capital punishment and made a point of releasing seven men who had been in jail for refusing to go to Vietnam. And, as chronicled in the outstanding song by Paul Kelly and Kev Carmody, he started the process of Aboriginal land rights. Whitlam’s government had the misfortune to be taking the wheel at the time when the economy was going bad; there was inflation and massive unemployment. The global oil crisis did nothing to soothe the people who saw Whitlam as a dangerous maverick. The song includes the downside so is not quite a hagiography, although I did admire the man for allowing me and my peers the chance of a free tertiary education.
Have a listen to the song here and if so inclined, add it to your music collection.
We do take a while to get around to recording songs. Bob wrote this for his 70th (in 2018). The subject material is of course realising you have lived your biblical life – three score (sixty) and ten. As we all know people can and do live well into their 90s now and we know a few who made 100 or more. You can listen to the song by following this link to Bandcamp. If you like it, download it for $1.
This is one of those songs which have gone out of style – a man and a woman having a conversation. Think ‘Goodness Gracious Me’ (Peter Sellers and Sophia Loren) or ‘Baby It’s Cold Outside’, written by Frank Loesser to sing with his then wife, Lynn Garland.
Three Score and Ten is one of a series of songs we have been recording with Roger Ilott at Restless Music near Stanthorpe. Roger’s been doing some collaborating with his brother Tony who lives in New South Wales. Like us, their forward plans have been thwarted by Covid-19 and restrictions on movement. Nonetheless it is possible to complete recording projects by remote control.
Bob dug out an ancient photo of himself posing with a statue in Paris, circa 1977. As he recalls, “I put the camera on a tripod, set the self-timer then ran like hell”.
By the way this song in no way resembles the folk ballad of the same name about a maritime tragedy, as sung by The Dubliners.