A personal story about hearing loss

dog-with-hearing-loss
Only people without hearing loss could ever use this means of communication.

Here is a story  about hearing loss from the early days of Friday on My Mind, January 16, 2013. Nothing much has changed in 12 years except to give those new to hearing aids a heads up – they need replacing at least every five years. My hearing loss took a bit of a dip in 2020 but that proved to be due to a physical ailment. Nevertheless I forked out a few grand for a new pair of hearing aids in 2023 and yes, they have a charging station. We still need the debate about a simple piece of technology that has just one function yet costs four times more than a laptop or tablet which can deliver, well, anything.

By Bob Wilson

This story begins with a famous pangram (a phrase using all letters of the alphabet) – The quick brown fox jumped over the lazy dog. We’ll get back to that later.

When I went to the bedside cabinet drawer on Monday to change my hearing aid batteries, I had just two left (they last about 7 days). Next day I rang my service provider who said they would post some to me, as per the terms of their 12-month contract. Australians dispose of approximately 156 million lithium hearing aid batteries per year. That is a serious amount of lithium in the landfill. Some hearing aid manufacturers now sell rechargeable hearing aid pods (the batteries last for a year). It’s about bloody time.

It started off being wryly amusing. For years I thought Jimi Hendrix was singing, “S’cuse me while I kiss this guy”, (now the name of a website which chronicles mis-heard lyrics). Is Billy Joel really singing, “You made the rice, I made the gravy”? Does the line in Toto’s Africa sound like “There’s nothing that a hundred men on Mars could ever do?” Or Canada’s national anthem – “Oh, Canada, we stand on cars and freeze?”

After five years of asking people to repeat what they said and seeking refuge in my favourite three words – “What?’ “Pardon” or “Mm,” I had my hearing tested.

Six months into the quixotic world of hearing devices, I have mixed feelings; good days and bad days and also much for which to be thankful. Gone are the days when I thought my wife said “Hearty Elephant” when she actually meant “hardly relevant”. I could go on, but you hard of hearing blokes out there know about which I speak.

If you are losing the high frequencies (and we all do as we age), if it gets too bad you won’t discern between words like ‘list’ and ‘fist’, you will turn the TV up louder than your partner will like and you’ll avoid going out to places where people gather.

But hearing loss is not just a problem for older people. The Ipod generation and those who frequent dance clubs and rock concerts are at high risk of damaging their hearing. There’s a lot of difference between the 50 to 60 dB level of normal conversation and the 140 dB pumped out by some of the world’s big stadium bands.

Phillip Adams is one of the few mainstream writers who confessed in public to needing hearing aids. Adams canvassed themes with which I had become entirely familiar, through five years of denial and hogging the TV remote.

“I developed a preference for foreign films with subtitles,” Adams wrote in The Australian Magazine, December 2012, adding that he rather enjoyed the self-censorship which came with deafness “..allowing me to ignore a bombardment of banal conversation or unattractive views”.

BHA (Before Hearing Aids), we’d be watching the splendid US spy thriller Homeland (with subtitles) which might read “birds chirping” or “dog barking in distance”. I could not hear those sorts of noises at all. AHA (after Hearing Aids), as the audiologist warned me, flushing the toilet evoked memories of a trip to Niagara Falls in 2010. I no longer heard faint chirping in the Bottle Brush tree next to our front veranda – I could hear and identify honeyeaters, wrens, whip birds, cat birds as well as the sound of frogs and the creek gently running at the bottom of our block, 100m away.

They say it can take your brain a year to adjust to being able to hear high frequencies again. The audiologist patiently heard the problems I reported when playing guitar or whistling. I complained it sounded like an effects pedal and there was feedback and other unpleasant sounds. After some tweaking of compression and other frequencies, these problems diminished. Now I am finding the handiest thing about these devices is the volume button. I turn it down if people’s voices sound brassy and loud up close and up when, say, listening to a speaker in an auditorium. Oh and the wonderful music programme button – four-part harmonies and fiddle/mandolin solos never sounded so sweet.

The amazing thing, considering the estimated 1.45 million Australian who have hearing aids, is why there is so little dissent about the disproportionate cost. Even mid-range hearing aids can set you back $3,000 each and if your hearing loss is serious or your job depends on hearing every word, you’ll be in double that figure in no time. Meanwhile, you can go to a computer shop and walk out with the latest Mac laptop for less than $2,000 and enough computer power to run an international online business. Or you can use a smart phone’s GPS, telecommunications suite, camera, video, skype, email, internet access and hundreds of apps for no money at all. Just sign here and pay your bill every month.

While hearing aids fall into the category of a big ticket retail item, it pays to shop around. There are sales-oriented hearing clinics out there which will lure you in with a free assessment and then push you fairly hard to sign a contract.

I got assessed by a couple of private clinics then went with the Federal Government’s voucher system (for the over-65s), opting to pay for a “top-up”. My mid-range, programmable hearing aids (I have two) cost me $3,400 and the government paid the rest.

Choice magazine surveyed 525 people to find the main reason people get hearing aids is to overcome social disconnection and isolation. But half of the people interviewed had problems with their hearing aids and one is six were dissatisfied, so it is no simple fix.

Choice said people also shop around online, citing a member who was quoted $12,000 for a pair of top-end hearing aids and ended up buying online from a UK retailer for about $4,250. The retailer programmed the hearing aids according to his audiogram. The member later found a local clinic to service his aids for $100 to $200 per appointment.

There can be warranty issues taking this approach, but increasingly, older Australians are starting to add hearing aids to the list when they go to Thailand or the Philippines for dental work or knee replacements.

Whatever the options, I can say I’d rather have my hearing aids, imperfections and all, than go back to the muddy pond that was once my hearing.

Meanwhile, for those of you who do not (yet) suffer hearing loss, consider this. Occupational health and safety advocates nonprofitrisk.org says the permissible top limit for noise exposure over an eight-hour period is 90 decibels.  If you don’t know what that means, here’s a short list:

  • 80 decibels: city traffic, manual machine, tools;
  • 90 decibels: lawn mower, motorcycle, tractor;
  • 100 decibels: woodworking shop, factory machinery;
  • 110 decibels: chainsaw, leaf blower;
  • 120 decibels: ambulance siren, heavy machinery, jet plane on runway;
  • 130 decibels: jackhammer, power drill.

So if you’ll recall the pangram we cited in the first paragraph. If you’ve got moderate hearing loss, Australian Hearing says this is what you will hear:

__e _i_ brown _o_ jum_ed over _e _azy dog.

Scary isn’t it!

Friday on My Mind was a weekly column by Bob Wilson, published by Bob & Laurel Wilson Consulting Pty Ltd. You can now catch up on occasional post-2023 Digressions or troll the archives on this website.

 

 

 

Misheard lyrics and a sentimental playlist

sentimental-playlist
The author (and dog) contemplating the next move

Last Sunday, as we performed my only country song, Crossroads of Love, I allowed myself a sly inward chuckle at the misheard lyric (well, I mishear it): “So I look for directions in the stars high above’’.

It’s the kind of misheard line you’d expect of a 70-year-old bloke, but I’m not about to elaborate. This is a family show.

My songwriter friend Kelly Cork likes the song; he thinks it is a sin of omission that is has not caught the attention of a Kasey Chambers or a Garth Brooks. I always thought it was a bit corny, but it seems you can get away with corny in the country genre.

You will have to permit me a sentimental wallow this week, as I sit here at a bare desk with the laptop (and the dog) – literally the last things to be packed away. I dismantled all of my music-playing technology weeks ago, so now all I have is a tiny IPod with 1700 songs plugged into the car.

Music was uppermost on our minds last Sunday when, against common sense, we held a full-house farewell house concert with just two days remaining to finish packing.

We invited hinterland musician friends to perform: Jevan Cole, Karen and Murray Law, Tommy Leonard, Noel Gardner and Alex Bridge and Kelly Cork. A sumptuous afternoon tea was provided by the audience (Laurel had packed away her baking trays).

The Goodwills Trio ended the day with a set culminating in a medley of well-known travel songs. Not a dry eye in the house! Thanks to Helen Rowe for going the extra mile to get to rehearsals. Thanks also to Woodfordia Inc for sponsoring our concerts over the years.

In the fullness of time, we’ll be producing a history of our house concert series – the first one in Brisbane in 1996, when Margret RoadKnight agreed to be our guest. We held 40 or 50 concerts at Fairfield when we lived there and another 90 or so from the first one in Maleny in 2003 (Margret RoadKnight featured once again).

If you missed out leaving a comment in the guest book that was passed around, you could join the many people who have emailed us with comments about our house concerts. The plan is to print them out and paste them into the book.

This week, I decided to answer the question I get asked a lot about my (songwriting) influences. They are too many to count, although most will be appalled by the omission of Dylan, Springsteen and other mainstream songwriters from this top 20 Spotify list.

Bob’s Spotify Playlist (courtesy of Frankie’s Dad) There are Spotify instructions below, but if you’d rather, FD has also compiled a YouTube playlist

1/ White Winos – LWIII (Last Man on Earth)

Loudon Wainwright’s ever-so slightly wrong tribute to his mother with the last line of every verse left hanging;

2/ Disembodied Voices – Neil and Tim Finn (Everybody’s Here)

New Zealand’s best songwriters reminisce about their childhood growing up in a musical household.

3/ Roland the Headless Thompson Gunner – Warren Zevon (Genius), the title of the song says it all, the ultimate ballad about mercenaries.

4/ A Case of You– (k.d. lang’s version of Joni’s classic song), from Hymns of the 49th Parallel, a magnificently produced album of contemporary Canadian songs;

5/ Clare to Here (Ralph McTell) – poignant tale from Ralph’s early days as a builder’s labourer, as told here in this 2007 live performance;

6/ It’s Raining – Stephen Cummings – from the album Spiritual Bum, a beautiful album of songs from the former lead singer of The Sports (and hopefully an omen);

7/ They Thought I Was Asleep – Paul Kelly – classic story song from Australia’s best – and we’ll never know what happened!

8/ Our Sunshine – Paul Kelly – included here for its brilliant first line ‘So there came a man on a stolen horse and he rode right onto the page.’

(Ed: And as what I think is an interesting aside, Ned Kelly’s horse was named ‘Mirth’.)

 9/ Who Know Where the Time Goes – Sandy Denny.

The story is that a young Sandy Denny had the words to this beautiful ballad in her guitar case and it had to be prised from her by Fairport Convention band members who immediately saw its potential;

10 Cold Kisses – Richard Thompson.

This sly story about an insecure man in a new relationship is only bettered by a guitar hook no-one I know has ever been able to reproduce;

11 Took the Children Away – Archie Roach

Seriously, this should be taught at schools;

12 Cry you a Waterfall – Kristina Olsen

Kristina Olsen typically tells a hilarious story before she sings this tribute to a friend taken in an automobile accident. It’s a fine performance technique when you catch people at their most vulnerable;

13/ Say a Prayer – Fred Smith

A tragic love story woven into a snippet of Australian history of war in the Pacific;

14/ Cat’s in the Cradle – Harry Chapin

My song Watching as You Sleep has a similar theme to Harry’s lament about  not having enough time for your kids when they are growing up and then the worm turns (‘he turned out a lot like me’)

15/ Lives in the Balance – Jackson Brown

It was always a wonder to me how this stinging critique of American interference in other countries’ politics is not better-known.

16/ The Night They Drove Old Dixie Down – The Band

Robbie Robertson’s well-researched story about the American Civil War, told from a Southern family’s point of view. It has a peculiar but effective rhythmic structure, as explained in the link below.

17/ Hello in There – John Prine

The master of brevity and nuance tells a Cat’s in the Cradle type story about a lonely old couple: ‘We had an apartment in the city – me and Loretta liked living there.’

18/ Sailing to Philadelphia – Mark Knopfler and James Taylor

The story behind the Mason Dixon line, splendidly rendered by two of the world’s best songwriters;

19/ Soldiers’ Things – Tom Waits – the growling poet of life on skid row at his best here: ‘Everything’s a dollar, in this box.’

20/ Paradise – John Prine

Prine’s anti-fossil fuel anthem from a childhood in western Kentucky.

Here’s an extra song, but it’s not on Spotify. It fits well with Paradise – “If you’ve got money in your pocket and a switch on the wall, we’ll keep your dirty lights on.”. Watch and listen here:

Keep your dirty lights on – Tim O’Brien and Darrell Scott.

The refrains of both songs deserve to be sung out loud at next Friday’s Strike 4 Climate rallies.

So, while the homeless Goodwills wander off to the south-western plains, let it be known that you will never find our music on Spotify. Not until they lift the streaming royalties by a respectable margin. Despite its reputation as a music distributer that short-changes musicians, Spotify is an incredibly user-friendly, massive musical database. No wonder at last count they had 217 million subscribers (including the free accounts).

Next week: Expect FOMM late next Friday as I will be attending the Strike 4 Climate rally in Brisbane – an eyewitness report!