How we listen to music in 2022

cassettes-cds-streaming
Image: Technology exists to convert a cassette to MP3 – have we had a copyright ruling on that?

This week I decided to reflect on the many ways we can listen to music in this digital age. We’ve come a long way since the first recording etched on to a wax cylinder in 1860. In just 50 years, the mainstream way of listening to music has moved from vinyl LPs to cassettes to CDs and now to online streaming. It’s been quite an evolution.

This FOMM was inspired by a frustrating search for an album by Californian bluegrass singer AJ Lee and her band, Blue Summit. I was introduced to AJ at U3A Warwick’s Music Show, where presenters curate a list of YouTube clips and provide background on the tracks. This particular song was performed by the Brothers Comatose and AJ Lee, a splendid interpretation of Neil Young’s Harvest Moon.

On Monday I started packing for a week away in the caravan, part of it at the best music festival in Queensland, Neurum Creek Festival. This one has been running for 16 years at the Neurum Creek Bush Retreat, which is about 12 kms from Woodford. In preparing and packing, I decided to see if I could load new music on my Ipod, which is no longer supported by Apple. The problem is that as I now longer use ITunes, the music player I use can’t ‘talk’ to the Ipod. Mr Shiraz sent me a link to a piece of software that will mimic ITunes so you can ‘sync’ your music collection with an Ipod, a portable music player invented by Apple in 2001. Since Apple stopped supporting Ipods, many users have opted to put them in a drawer and move on. One alternative is to buy a cheap mobile phone, add a large storage card and use it as a personal music player.

I could tell how far CDs had dropped in popularity when looking to buy AJ Lee’s 2021 album, I’ll Come Back. I decided not to download it on Spotify, as the artists are paid a trifling amount when we listen to their music on that platform.

Subsequent searches found the album on streaming services, which was not what I wanted. I went direct to AJ Lee’s website and the only option was to purchase a physical CD and wait however many weeks or months it takes to arrive from the US. Then I tried Bandcamp (where you will find our music). Success, the album was there. I duly downloaded the album and now can listen to it on my computer, my phone and, once I get around to it, burn a CD for my ‘new’ 5-CD changer.

The CD player failed some months ago and I eventually established that the model was obsolete and a replacement laser could not be found. I opted for a refurbished model from a seller on Ebay. It’s a quality Sony deck and, so far, is working perfectly.

Before I went into hospital for a procedure in late August, I spent a day (dusting) and alphabetising our CD collection (450-plus). I told She Who Loves Order in her Life I had done this ‘so if I cark it, at least you’ll know the CDs are in A-Z and not filed according to ‘mood’.

As audiophiles will tell you, CD music is superior to cassette but inferior to vinyl, because the digital sound is compressed.

Vinyl music played on top line analogue systems always sounds better than both CDs and the alternative (playing or streaming MP3 quality tracks). The cassette, with its annoying hiss and tendency to become snarled in the player, is a long last.

Audio cassettes were invented by a Dutch company (Philips) and adopted by mainstream America in the mid-60s. My memory of cassettes is that people would borrow someone else’s tape and dub a cassette to play in the car. This practice was and still is illegal, even if retailers happily sold boxes of blank cassettes and high-end twin cassette decks on which one could dub to a blank tape. (The last piece of music technology I actually understood.  Ed.)

Most of us have a couple of shoeboxes in the cupboard full of cassettes – legitimate ones bought in music stores, or bootleg copies. The difficulty now is that, for most people, their means of playing cassettes has evaporated. My tape deck worked for about 20 years. One deck stopped working and then the sound quality became so poor we decided to switch to another medium.

I did a straw poll among people of my vintage to establish how they listen to music (if they listen to music at all). Most said they no longer had a CD player (it either died or they found the business of swapping them over tedious). Most late model cars no longer come with a CD player, so that accelerated the decline in popularity.

Some people opt for a WIFI speaker through which they can stream music from YouTube or Spotify. How this works is you turn the gadget on and say in a loud, clear voice: “OK Google, play The Goodwills.” There is a pause, a whirring sound and a disembodied voice says: “OK, playing DJ Goodwill.”

Others turn on their smart TV and then search for music videos on YouTube. Depending on your cinema surround sound system (if you have one), the sound quality is OK. The database of video clips is apparently bottomless, but the quality is uneven.

According to Gizmodo’s history of the compact disc, the first commercial CDs were available in Australia in late 1982 (about 150 titles). This was a few years before we moved to Brisbane and bought a Technics stereo system for around $1,500 (it was on sale). We started a CD collection then and even today, I prefer a CD to any other format.

What is hard to stomach is knowing I paid $25 to $30 each and sometimes more for an imported disc. Today you can go to a charity shop and buy CDs for coins. It’s not about money, though. Our CD collection is special in that at least 100 CDs were given to us either as a gift or as a swap (one of ours for one of theirs) by musicians we know.

The Australian Recording Industry Association (ARIA) said streaming accounted for 86% of $565.8 million music sales in Australia in 2021. Over the same period, physical music sales dropped from $100.5 million to $56.1 million. Vinyl albums led the way at $29.7 million, compared with $24.9 million for CD albums.

A Roy Morgan research report in 2020 said 12.7 million Australians were using a streaming service. Spotify is the clear market leader with 8m customers, almost double what it was in 2017. YouTube Music is next with 4.4m users in Australia.

The Australian Communications and Media Authority (ACMA) concurs, saying 61% of Australians used a streaming service in June 2020, up from 48% in 2019. As you’d expect, 88% of the 18-34 age group used music streaming services. Surprisingly (well, I’m surprised), the biggest growth in online music streaming was the 55-64 cohort (from 47% to 59%), 65-75 (30% to 44%) and the over-70s (17% to 26%).

I confess I’m part of that trend, although this weekend it’s all about live music, coffee and a CD shop – the way it should be.

Facebook – does it really matter if they share our data?

first-facebook-postSince we’re discussing Facebook and who has the rights to personal information you’ve posted, I wanted to show you my ‘Wall.’  People used to call their Facebook page their ‘Wall’, though that has become passe. As walls go, this one would be ‘liked’ by Shirley Valentine fans (cultural reference), as it suggests romance and sun-bleached beaches.

    I joined Facebook in 2009 (apparently) as this is the first image I posted. At the time we were renovating the downstairs bedroom, rumpus room laundry and ensuite. Apart from hiring a guy to lay tiles throughout, we did all the work ourselves. If I’d known better, I’d have first put a coat of sealer on the besser brick wall as it took four coats of paint until it matched the hardboard on the opposite wall.

    I resisted joining Facebook for such a long time and then when I did, my posts were few and sufficiently opaque to resist understanding by all but my inner circle.

    Facebook has proved handy in terms of keeping in touch with younger family members around the world because, as we know, they don’t write letters. So too I’ve formed loose ties with musicians around the world, which can either be a way of sharing the passion or fishing for a gig.

    Later, Facebook became a good way of spreading the news about folk music events in our small town, some of which we promote.

    Dani Fankhauser’s history of Facebook on mashable.com charts the development of Facebook from its launch in 2004 and the 18 features it used to have and either changed or discontinued. I had no idea the original idea of the ‘wall’ was that people could use it like a whiteboard, leaving messages for their friends. You could change or delete what was there and replace it with your own messages. As Dani says, at one stage it was cool to ‘de-virgin’ someone (be first to post on their wall).

    The wall disappeared and Timeline took its place. Other critical changes since Facebook was launched includes the controversial and constantly changing News Feed and the over-weaning Like button which turned social interaction into a competition.

    Dani writes that Facebook used to be like a journey down the Rabbithole, being diverted down unexpected paths to discover new and interesting worlds. Now it’s like standing in front of the fridge with the door open, not quite sure what you’re looking for. Five years ago she wrote that – has anything changed?

    The hoo-haa about fake news and private data being manipulated by computer data experts should surprise no-one. If you are on Facebook, you are the content.

    You have probably read one version or another of the Cambridge Analytica scandal. The Guardian Weekly ran a two-page expose this week so if you really want to delve into it, here’s the ultimate link.

    The fall-out when this news broke was most noticeable on Wall Street. When the Observer revealed that Cambridge Analytica had harvested millions of people’s user data for political profiling, Facebook’s stock plummeted. It fell 17% between March 17 and Easter, wiping $US50 billion off the company’s value. Regulators in several countries are investigating Facebook and may try to limit how the company makes money from data.

    Meanwhile,Google, Apple and Amazon are like little kids who played a joke on someone and are now hiding behind a tree, giggling. The laugh might be on them, according to this broader story.

    There is a social movement (#DeleteFacebook), but social media analyst Andy Swan, writing for Forbes magazine, said the spike in Facebook deletions – the highest since 2004 – peaked on March 21 and has been in decline ever since.

    Most of the outrage stems from reports that Donald Trump’s campaign consultants, Cambridge Analytica, used ‘psychographics’ which allows personality traits to be manipulated.

    But what about our music pages, Mark?

    In January this year Facebook began changing the algorithms that influence what users/members see in their news feed. Facebook founder Mark Zuckerberg said the changes were made because of feedback that public content – posts from businesses, brands and media – was ‘crowding out the personal moments that lead us to connect more with each other’.

    Changes started last year and as Zuckerberg said in a Facebook post, will take months to implement. “As we roll this out, you’ll see less public content (in your Newsfeed) like posts from businesses, brands, and media. And the public content you see more will be held to the same standard – it should encourage meaningful interactions between people.”

    This must be a deeply disturbing trend for mainstream media, which has hooked its disintegrating business model to the hems of social media’s skirts.

    Our local paper, the Sunshine Coast Daily (now owned by Rupert Murdoch’s News Ltd), recently ran a 150-word ‘news story’ – Keep News #1 in your Facebook feed. The article suggested Daily readers keep up with the latest local news by ‘making a simple adjustment’.

    This means first find the SCD page on Facebook, like, click ‘follow’ then click ‘see first’.

    Well yes, it works, but it didn’t take long for the stream of sensationalist stories to ‘clutter up’ my news feed and the same could be said of choosing this option for other media outlets. Beware the Paywall!

    Just for the mental exercise, I downloaded my Facebook data. It has always been possible to download your own data and if we were smart, we’d all do it every year so we at least can find copies of the photos we posted then forgot about. Just go to your profile page and click on settings (the link is at the bottom of the page).

    Just downloading your data file does not mean you are deleting your information from Facebook. Leaving, closing your account and demanding the return of the original data is not so easy.

    But it was illuminating to trawl through this 136MB file. There is an exchange (a thread) between me and a former colleague. I wished to write something about him in my blog, about the merits of academic ambition when one is supposedly past student age. Within the conversation, my former colleague revealed quite a lot of detail about his school years, what work he did on leaving school and how he came to study journalism. I used hardly any of this information in the blog which was eventually published. But it is sitting there quietly, within my (private) Facebook data files. Let’s hope it stays that way.

    So what does the Cambridge Analytica privacy furore mean for folk who just want to post photos of their cats, dogs, partners and kids? Not much, I suspect, unless you have a ‘brand’ page like the ones I use for pur stage name, The Goodwills and this blog.

    I thought it would be fair play to share Mark Zuckerberg’s Facebook post. It is interesting for his over-use of marketing-speak and the sometimes snarky comments which follow his ‘community-oriented’ explanation for making business, brands and media pages less visible.

    I’m with the people who asked why couldn’t Facebook users simply curate their own news feed without having it dictated by algorithms.

    Meanwhile, if you want to keep the Bobwords brand page at the top of your news feed, click on the link, like and follow.

    Or not!