Return of The Wastemakers

wastemakers-computers
Image: INESby, pixabay.com

I had a Vance Packard moment this week, thwarting the concept of planned obsolescence, which he wrote about in his 1960 best-seller, The Wastemakers.

My triumph was no big deal, but they were hard-won as I finally, after four weeks, got my 32-year-old Technics stereo system working again.

Before we get into that, and on a similar theme, I would like to have a rant about the complexities and nonsense of Windows 10. Microsoft’s latest operating system deserves inclusion in my seldom-heard song, ‘Windows F*****g 8’, which I wrote in honour of the man who warned me to stick with Windows 7 (…”It isn’t fair, but they don’t care, that I can’t find F*****g Solitaire”….)

When we moved, my 2015 laptop, running on Windows 7, was labouring, crashing, not responding to commands, giving me blue screens and multiple hard drive error messages. My new Lenovo has a lot going for it – extremely light, fast and not too expensive at all. But it came with Windows 10 pre-installed and an infuriating voice-activated robot called Cortana, who offers to solve any problem but more often will say “I’m sorry, I didn’t understand.”

So Mr Microsoft, why did you dump Windows 7 (which, after this month will no longer be supported). in favour of an operating system that tried to look like Apple Mac and failed? Just like Vista, 7, 8 and 8.1, it has so many bugs you do so yearn for good old Windows XP. IT companies constantly upgrade and invent new software and gadgets. The manufacturers of computers, smart phones, mobile entertainment and all their peripherals have no choice, if they want to stay in business, but to continue selling us flawed ‘upgrades’.  In the case of Windows 10, Microsoft forced us into it by withdrawing support for Windows 7.

Windows forums have a lot to say about 10, its dodgy updates and other shortcomings. The most irritating thing is the assumption (by Microsoft) that you will take up the expensive annual subscriptions to pre-installed software trials and store all your personal data in the cloud, at a cost, of course. After some reading, I managed to install Office 2010, which I bought and paid for once already.

The good news is there are plenty of ‘fixes’ out there for Windows 10 glitches. I found one key piece of advice (not from Microsoft). In Windows 7 I used the ‘recent documents’ link constantly. It was easily found under documents/folders. Windows 10 has done away with this useful tool.

Solution: use the keystroke Windows key/e. Thank me later.

She Who Also Has Windows 10 is now regretting asking me to upgrade her laptop. The worst part of upgrading was that (initially) we could not get the printer to work, or the network sharing we previously employed.

There is now a security feature called Network Credentials which requires you to enter your Microsoft outlook name and password if indeed you succumb to that malware-type exhortation. That only took me three hours to fix – to whom should I send the invoice?

Nevertheless, if you still have Windows 7 and it decides to stop working, you will be in trouble. The good news, if you are game, is that Microsoft’s free upgrade is still available (rather than buying it for $169). Not that I recommend it, but here is the link I used to download and install Windows F*****g 10 on SWAHWT’s laptop.

Vance Packard saw all that coming, three decades before personal and business computers became a mainstream, multi-billion dollar industry. Packard was well ahead of his time, writing a number of thoughtful books about consumerism and the stealthy way the industrial-military complex manipulates people to its own greedy ends.

The thesis Packard pursued in The Wastemakers is deftly summarised in an article found on Trove.

The author of The Hidden Persuaders and The Status Seekers analysed over-production and the planned obsolescence of so-called consumer durables.

“The average American family throws away about 750 metal cans each year,” he began. “In the Orient, a family lucky enough to gain possession of a metal can treasures it and puts it to work in some way, if only as a flower pot.”

Packard claimed that in 1960s America “each individual man, woman and child was using up to an average of eighteen tons of materials a year”.

The concept of eternal growth which developed after WWII required “insidious promotion and worship of ‘consumerism’ the encouragement of waste, the temptations of encouragement of waste and the temptations of limitless H.P (hire purchase).”

Sixty years after Packard published his book, consumerism and the advertising that encourages it is no less insidious. Rampant and shameless consumerism suggests that anything “used” is shaming to its owner.

“The escalation of self-indulgence and the planned chaos leaves the buyer bewildered and helpless amid that shambles of phoney price-cuts, sales prices, special discounts etc.”

 

As people often do when moving, we purchased some new consumer ‘durables’, well aware that the generic 12-month warranties suggested a limited life span.

Meanwhile, the Technics stereo system, bought from one of Brisbane’s Brashes stores in 1986, was still sitting in carefully packed boxes in the garage. Sure, I was listening to MP3s on my Bluetooth speaker, but it is so not the same.

The Technics system was top of its class in 1986 and still performs well. It has seven individual components all interlinked by a maze of cables and power cords (one feeds the other until finally, one goes to AC power).

The problem this time with installation was (a) delving through the five manuals to remember how to reconnect everything and (b) the speaker leads were too short. They were always too short, but in our previous home it was never a problem.

I am not, as you’d know, not the world’s most practical chap. But I’m stubborn (and cheap). I turned to YouTube’s host of geeky how-to videos. What I wanted to do was work out how to extend the stereos leads, which is hard to do when said speakers are sealed boxes which offer no easy way to replace leads.

The first video I found (1:47) when searching ‘how to open sealed speaker cabinets’ is a classic example of why you can sometimes find helpful hints, and sometimes not!

After I stopped laughing and explored some other more useful options, I went into town and bought a 6m roll of 14 gauge speaker cable and some electrical tape. I used a box cutter and a pair of pliers to hand-cut the cable into two lengths, stripped 1cm of plastic off both ends of each cable and then used electrical tape to connect the longer leads to the short speaker cables. As such jobs go, it is not pretty. But it works.

I finished setting up the system about 11pm and rewarded myself with a cup of tea, listening to Homeless, a vinyl album by Ladysmith Black Mambazo.  As you may recall, the acapella African choir’s music formed the basis of Paul Simon’s amazing 1986 album, Graceland. Simon’s song Homeless is track 1, side one. Of course I fell asleep listening to side two and never got to flip the album over.

The really good news is there are a few hundred more vinyl albums in boxes in the garage. (Ed: Not that we have anywhere to store them).

Is vinyl just a fad?

vinyl-fad
A sample of Bob’s eclectic vinyl collection

The first reference that came up when I searched ‘vinyl fad’ was an advertisement for high waist stretch vinyl leggings (only $15.60 from boo-hoo Aus.). That’s not a plug, you understand, just an observation on the randomness of internet searches.

Vinyl records, or LPs as they were known in my youth, have indeed made a comeback, after being superseded by compact discs (CDs) some 30 years ago. In the US, where such trends usually start and end, 9.7 million vinyl LPs were sold in 2018. This was a 12% increase on the 8.6 million copies sold in 2017.

In Australia, 860,000 vinyl albums were sold in 2018, up from 717,000 in 2017. The revival began in 2015 with a modest 314,000 copies sold.

Demand for new music on vinyl is such that last year Sony started manufacturing vinyl albums in Japan. Australia’s only pressing plant, Zenith Records, will be joined by a new pressing plant competitor, Program Records.

Vinyl seems destined, however, to remain a small-scale, boutique business compared with the growth of music streaming. ARIA (the Australian Recording Industry Association) said music streaming (wholesale) revenue continued its explosive growth pattern in 2018. It now accounts for 71.4% of the overall market by value amid annual growth of 41.2%.

The streaming category includes revenues from subscription services (Apple Music, Deezer, Google Play,Spotify etc) and on-demand streaming services such as YouTube and Vevo.

The compact disc format continued its gradual decline, securing 10% of music market revenue with just $53.17 million in sales.

By comparison, streaming services and digital downloads earned $445 million in combined sales.

Vinyl sales grew from $15.79 million in 2015 to $21.73 million last year, robust enough sales to keep the industry interested.

Yamaha Music USA’s Ted Goslin says the return of the vinyl LP is being drive by the under-25s hipsters. “Visit your local record store”, Goslin writes, “Chances are you’ll spot a man bun, a flannel shirt or some other identifiable accoutrement of this popular sub-culture.”

Collectors are also driving the renaissance of vinyl, constantly scanning second hand shops for a rare gem to add to their collections. The other demographic adopting vinyl as a serious hobby are people in their 30s and 40s, who can probably afford the high quality speakers, amps and turntables it takes to make vinyl sound good.

This topic came to mind after I retrieved 200+ vinyl albums from the bottom of the linen cupboard, where they have been for 17 years, and packed them into three plastic milk crates. As some of you may know, we are packing up and moving on. Expect a flurry of stories in coming weeks about packing too soon (“Honey, where’s the can opener?”), decluttering and when does sentiment outweigh practicality.

The most sought after vinyl albums are usually in mint condition (rarely or never played) and of course everyone wants 0000001 of the Beatles White Album, sold at auction recently for $790,000.

Over the years, I have had occasion to liberate an album from the linen cupboard and give it a spin. I once went through a whole week of listening to vinyl and nothing else. It’s true what they say – the sound is mellower, easier on the ears than the compressed attack of digital audio. But you have to sit down and actively listen and not have it on in the background like a café mix.

There’s a quiet hiss and an occasional crackle as we listen to the likes of the Moody Blues, Blood Sweat and Tears or Joni. Sonic heaven.

But it’s a pain getting up to flip the album over, isn’t it?

If you have looked after your records, it seems not to matter if they’ve been in a cupboard for 20 years. They will play like it was Yesterday or Tomorrow (Never Knows). There’s a certain level of frustration now, as I sift through these albums, having packed the record player away.

The other attraction of vinyl albums is the elaborate cover artwork that helps make LPs more collectable. Obvious examples include Sergeant Pepper’s Lonely Hearts Club Band (a pre Photo Shop montage); Blind Faith’s bare-breasted teen holding a model aeroplane (it was banned in some countries) and Nirvana’s Nevermind, a baby in a swimming pool seemingly chasing a dollar bill.

There were also some stunning Pink Floyd covers by design company Hipgnosis; a man bursting into flames, hospital beds on a beach, a shaft of white light passing through a prism to become a rainbow.

So when I was asked was it really necessary to keep the vinyl collection, I had to say yes. It is an important connection to my youth and early songwriting influences and yes, I do listen.

The LP (long player) collection is quite eclectic and includes a lot of jazz and blues (my earliest influence until I discovered The Shadows). I have discovered that my niece and her husband are not just vinyl converts, they love jazz. So I have promised to give them my jazz albums, which include five recordings by the Dave Brubeck Quartet (note to executor).

The collection includes a lot of folk albums that I purchased for small amounts of cash at a time when record shops were having sales to get rid of surplus stock before CDs arrived. I would not dream of getting rid of such gems as albums by Kath Tait, the McGarrigle Sisters, Silly Sisters, Martin Carthy, Bert Jansch, Van Morrison, Maddy Prior, The Pogues and Christy Moore.

Meanwhile, I discovered that banana boxes from our friendly IGA were perfect for packing CDs. Just fill in the small spaces with paper or bubble wrap, put the lid on and tape it up with ‘FRAGILE” writ large on the box. So far I’ve filled five of these boxes. Not to mention the four boxes of unsold stock from our recording ventures.

Much has been written about the decline of the CD, signs of which have become obvious. Few laptops now come with a built-in CD/DVD reader/player. Likewise, many modern cars don’t have CD players. As far as I can tell, the new medium for the average music listener is a Google app, Bluetooth, a smart phone and a subscription to a streaming service.

My brother-in-law has a Google Play speaker in his lounge room – hours of endless fun. As I have previously observed, the app struggles with different voices and often chooses the wrong song:

Bob: “OK Google, play The Goodwills.”

Google: “Alright. Here’s DJ Goodwill from YouTube Channel”

Bob: “Stop, Google. Play T.H.E. Goodwills”

This time it works and, because all of Google’s music is drawn from its subsidiary, YouTube, we hear one of our songs used as a soundtrack for a six-minute video. It’s confusing.

I ask Ms Google to play ‘Silhouettes’ and once again she turns up a more recent song of the same name (by Avicii).

Bob: “No, no, Google. Play Silhouettes by The Rays”

Ms Google: “Alright alright! Playing creepy voyeur stalker song Silhouettes by The Rays.”

Bob: “What!  Are you developing independent thinking now, like Hal from 2001 a Space Odyssey? Also, you need to learn how to use commas.”

Ms Google: “Look Bob, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over”.

Further reading: Some technical opinions of interest only to audiophiles.

FOMM back pages – https://bobwords.com.au/planned-obsolescence-strikes-again/