Is vinyl just a fad?

vinyl-fad
A sample of Bob’s eclectic vinyl collection

The first reference that came up when I searched ‘vinyl fad’ was an advertisement for high waist stretch vinyl leggings (only $15.60 from boo-hoo Aus.). That’s not a plug, you understand, just an observation on the randomness of internet searches.

Vinyl records, or LPs as they were known in my youth, have indeed made a comeback, after being superseded by compact discs (CDs) some 30 years ago. In the US, where such trends usually start and end, 9.7 million vinyl LPs were sold in 2018. This was a 12% increase on the 8.6 million copies sold in 2017.

In Australia, 860,000 vinyl albums were sold in 2018, up from 717,000 in 2017. The revival began in 2015 with a modest 314,000 copies sold.

Demand for new music on vinyl is such that last year Sony started manufacturing vinyl albums in Japan. Australia’s only pressing plant, Zenith Records, will be joined by a new pressing plant competitor, Program Records.

Vinyl seems destined, however, to remain a small-scale, boutique business compared with the growth of music streaming. ARIA (the Australian Recording Industry Association) said music streaming (wholesale) revenue continued its explosive growth pattern in 2018. It now accounts for 71.4% of the overall market by value amid annual growth of 41.2%.

The streaming category includes revenues from subscription services (Apple Music, Deezer, Google Play,Spotify etc) and on-demand streaming services such as YouTube and Vevo.

The compact disc format continued its gradual decline, securing 10% of music market revenue with just $53.17 million in sales.

By comparison, streaming services and digital downloads earned $445 million in combined sales.

Vinyl sales grew from $15.79 million in 2015 to $21.73 million last year, robust enough sales to keep the industry interested.

Yamaha Music USA’s Ted Goslin says the return of the vinyl LP is being drive by the under-25s hipsters. “Visit your local record store”, Goslin writes, “Chances are you’ll spot a man bun, a flannel shirt or some other identifiable accoutrement of this popular sub-culture.”

Collectors are also driving the renaissance of vinyl, constantly scanning second hand shops for a rare gem to add to their collections. The other demographic adopting vinyl as a serious hobby are people in their 30s and 40s, who can probably afford the high quality speakers, amps and turntables it takes to make vinyl sound good.

This topic came to mind after I retrieved 200+ vinyl albums from the bottom of the linen cupboard, where they have been for 17 years, and packed them into three plastic milk crates. As some of you may know, we are packing up and moving on. Expect a flurry of stories in coming weeks about packing too soon (“Honey, where’s the can opener?”), decluttering and when does sentiment outweigh practicality.

The most sought after vinyl albums are usually in mint condition (rarely or never played) and of course everyone wants 0000001 of the Beatles White Album, sold at auction recently for $790,000.

Over the years, I have had occasion to liberate an album from the linen cupboard and give it a spin. I once went through a whole week of listening to vinyl and nothing else. It’s true what they say – the sound is mellower, easier on the ears than the compressed attack of digital audio. But you have to sit down and actively listen and not have it on in the background like a café mix.

There’s a quiet hiss and an occasional crackle as we listen to the likes of the Moody Blues, Blood Sweat and Tears or Joni. Sonic heaven.

But it’s a pain getting up to flip the album over, isn’t it?

If you have looked after your records, it seems not to matter if they’ve been in a cupboard for 20 years. They will play like it was Yesterday or Tomorrow (Never Knows). There’s a certain level of frustration now, as I sift through these albums, having packed the record player away.

The other attraction of vinyl albums is the elaborate cover artwork that helps make LPs more collectable. Obvious examples include Sergeant Pepper’s Lonely Hearts Club Band (a pre Photo Shop montage); Blind Faith’s bare-breasted teen holding a model aeroplane (it was banned in some countries) and Nirvana’s Nevermind, a baby in a swimming pool seemingly chasing a dollar bill.

There were also some stunning Pink Floyd covers by design company Hipgnosis; a man bursting into flames, hospital beds on a beach, a shaft of white light passing through a prism to become a rainbow.

So when I was asked was it really necessary to keep the vinyl collection, I had to say yes. It is an important connection to my youth and early songwriting influences and yes, I do listen.

The LP (long player) collection is quite eclectic and includes a lot of jazz and blues (my earliest influence until I discovered The Shadows). I have discovered that my niece and her husband are not just vinyl converts, they love jazz. So I have promised to give them my jazz albums, which include five recordings by the Dave Brubeck Quartet (note to executor).

The collection includes a lot of folk albums that I purchased for small amounts of cash at a time when record shops were having sales to get rid of surplus stock before CDs arrived. I would not dream of getting rid of such gems as albums by Kath Tait, the McGarrigle Sisters, Silly Sisters, Martin Carthy, Bert Jansch, Van Morrison, Maddy Prior, The Pogues and Christy Moore.

Meanwhile, I discovered that banana boxes from our friendly IGA were perfect for packing CDs. Just fill in the small spaces with paper or bubble wrap, put the lid on and tape it up with ‘FRAGILE” writ large on the box. So far I’ve filled five of these boxes. Not to mention the four boxes of unsold stock from our recording ventures.

Much has been written about the decline of the CD, signs of which have become obvious. Few laptops now come with a built-in CD/DVD reader/player. Likewise, many modern cars don’t have CD players. As far as I can tell, the new medium for the average music listener is a Google app, Bluetooth, a smart phone and a subscription to a streaming service.

My brother-in-law has a Google Play speaker in his lounge room – hours of endless fun. As I have previously observed, the app struggles with different voices and often chooses the wrong song:

Bob: “OK Google, play The Goodwills.”

Google: “Alright. Here’s DJ Goodwill from YouTube Channel”

Bob: “Stop, Google. Play T.H.E. Goodwills”

This time it works and, because all of Google’s music is drawn from its subsidiary, YouTube, we hear one of our songs used as a soundtrack for a six-minute video. It’s confusing.

I ask Ms Google to play ‘Silhouettes’ and once again she turns up a more recent song of the same name (by Avicii).

Bob: “No, no, Google. Play Silhouettes by The Rays”

Ms Google: “Alright alright! Playing creepy voyeur stalker song Silhouettes by The Rays.”

Bob: “What!  Are you developing independent thinking now, like Hal from 2001 a Space Odyssey? Also, you need to learn how to use commas.”

Ms Google: “Look Bob, I can see you’re really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over”.

Further reading: Some technical opinions of interest only to audiophiles.

FOMM back pages – https://bobwords.com.au/planned-obsolescence-strikes-again/

 

Time capsule tips

Time-capsule-photo-of-Colin-Meads
Photo of Colin Meads: Commons wiki/File:Colin_Meads_Sheep.jpg

From the misty annals of childhood comes a memory of the town fathers burying a time capsule, not to be opened for 100 years. They had asked the townsfolk for suggestions as to what the capsule should contain and our little urchin’s cabal suggested such items as an alarm clock (with two bells atop), a gob-stopper, that famous photo of All Black Colin Meads with a sheep under each arm, a train ticket and a can of pick-up-sticks. Somebody said we should get an episode of Life with Dexter and put that in too.

Digression alert: it is untrue that Meads (1960s rugby version of Paul Gallen), kept fit running up and down hills on his farm with a sheep under each arm.

Historians and archivists may scoff, but the practice of encapsulating the trivial lives of a cross-section of society for future generations is still in vogue. Time capsules are often buried beneath the foundations of a new building to mark a special occasion, a centenary, perhaps. The idea is to set a date in the future when they should be dug up and opened.

General interest in the concept increased after Westinghouse created one as part of its exhibit for the 1939 New York World Fair.

The 2.3 metre long, 360kg capsule, made of copper, chromium and silver alloy, contained items including a spool of thread and doll, a vial of food crop seeds, a microscope and a 15-minute newsreel. There were also microfilm spools containing such prosaic fare as a Sears Roebuck catalogue.

Wikipedia’s entry says Westinghouse buried a second capsule in 1965. Both are set to be opened in 6939, that is, 4,922 years from now.

Sometimes time capsules rise to the surface before the appointed time. When the statue of John Robert Godley, the founder of Christchurch, toppled to the ground during the 2011 earthquake, workers pawing through the rubble found two time capsules under the plinth. A glass bottle containing parchment and a long metal container were handed to the Christchurch museum.

Director Anthony Wright told the Daily Mail a third capsule was discovered beneath the base of the cross of the badly damaged Christchurch Cathedral. All three capsules were opened a month later and were found to contain items including old newspapers and photographs, a City of Christchurch handbook (1922-23), what appears to be a civic balance sheet, a few coins and a brass plate.

So what’s it all about, then? As self-confessed time capsule nerd Matt Novak writes, time capsules rarely reveal anything of historical value. In many ways, time capsules are like small private museums which are locked up for 100 years or more and nobody is allowed to visit.

Buried-capsule-seeds
Time capsule in Seattle containing seeds. Photo by Eli Duke (flickr)

The exemplar of the genre so far is the 200-year old Boston time capsule, discovered in January by construction crews. The capsule was set into the cornerstone of a building by one of the nation’s founding fathers, Samuel Adams, and patriot silversmith Paul Revere. The contents of the capsule (coins, newspapers, photographs and a silver plaque inscribed by Revere), now belong to the Museum of Fine Arts in Boston.

The National Archives of Australia maintains a web page dedicated to serving people who are planning to bury a time capsule for posterity.

The NAA says careful choice of materials to be included in a time capsule will contribute to the longevity of both contents and capsule.

The latter is worth bearing in mind, given that witnesses to the Christchurch unearthing said one of the capsules ‘smelled like blue cheese.’

The International Time Capsule Society estimates there are between 10,000 and 15,000 time capsules worldwide.

The notion is popular with schools, particularly those with a strong sense of tradition. In celebration of its golden jubilee in 2007, Epping Boys High School of Sydney (whose alumni includes rock musician Iva Davies and barrister and TV presenter Geoffrey Robertson) invited Prime Minister John Howard to plant a new time capsule but also, as the Old Boys Union reported, open the one buried in 1982 (the silver jubilee). Alas, the school was closed for the holidays, so your intrepid reporter was unable to unearth a description of the capsule’s contents.

This set me to thinking just what should be inside a time capsule buried, for example, in the foundations of a massive new public housing eco village planned for, say, Wentworth.

It would have to be a big-arse capsule, because I’d be recommending items for posterity include the mechanical rabbit from Wentworth Park. If that is not possible, then at least include a Dapto Dogs racebook, so citizens 100 years hence can ponder the curious sport of dog racing.

The capsule should contain a large lump of brown coal (they won’t miss it, honest), so future generations can see why the planet went amiss.

She Who is Glass Half Full This Week says we ought to include some Aussie inventions: plastic money, the electronic pacemaker, the black box recorder, the cochlear implant…

Countering all this world-changing innovation, we need to show the substance abuse issues of the 21st century – a hemp shoulder bag filled with all the illicit drugs of the day, and for good measure a bottle of whatever young kids turn to when binge drinking, and a packet of fags, adorned with graphic images of tongue and lip cancer.

It might not work in a hundred years’ time, but we should include a smart phone, charger and spare battery, along with a hard-copy cheat sheet. And yes, what 2016 time capsule would be complete without a victorious Queensland State of Origin team photo, hunkering down, singing aye-yai-yippy-yippy in 17 different keys, making odd, triumphant finger gestures.

The NAA might warn us not to use ephemeral recording materials, but what else do we have? I’d suggest a special DVD edition of Q&A with Alan Jones, Steve Price, Andrew Bolt, Phillip Adams, John Pilger and Marcia Langton discussing indigenous land rights, refugees and free speech, with Tony Jones trying to keep them all on point.

One could have such fun filling a time capsule. Items bound to puzzle people in 2116 could include: a (new) disposable nappy, a coffee pod, a Go Card, a government-issue hearing aid, one of those ear-expanding discs some young people wear so they can look like primitive tribes from darkest Africa. We could employ a taxidermist to stuff a cane toad and a feral cat and include literature explaining their stories. I’d be tempted to Include copies of every newspaper editorial before (and after) the 2016 election, just to show that whatever passes for punditry 100 years from now was always thus.

It could be fun to somehow preserve a ‘best of Facebook photo album’ to show future generations what people did with their spare time. It would not take long to curate images of tattooed people, pierced people, nude bike riders, hipsters, cats and dogs doing odd but cute things, photos of what people had for lunch, independent bands nobody ever heard of (now or in 100 years’ time), absolute proof that the earth is flat, out of focus selfies, a video of a serious young dude performing a handfarting cover of a Pink Floyd song (this really is on YouTube. Ed) and 17 versions of the same sunset.

Oh, and let’s not forget to include a laminated copy of that Friday guy’s take on time capsules.